G.R.L. LDN

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I hate to be a kill-joy, but the vast majority of classical art pieces were designed as product placement ads paid for by monarchs and religious institutions. The Sistine Chappell is an advertisement, just like Shakespearean Plays and Swan Lake - all were bought and paid for by the wealthy for a purpose. If we look at the distribution of wealth today, we may see a recipe for the same type of system. And keep in mind that 'high art' was once 'commercial art' - operas were made for mass-public consumption and as tools for spreading nationalistic ideals. Remembering this may be a good and grounded place from which to deepen our conversation regarding our current 'arts crisis'.

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Reposted by

“ The Shunt lounge, a clandestine speakeasy-cum-performance space formerly located beneath London Bridge, has closed then re-opened before closing once again in the past year alone, so it's unsurprising (but welcome nonetheless) to learn that it is being brought back to life. ”

“ But we fell short of the lofty creative goal of “Can a Computer Make You Cry?” because we didn’t develop new models of character and narrative. ”